Personal Recollections of Joan of Arc

with moisture in their eyes, and wrung his hands, and said such glorious things to him that he was clear overcome with pride and happiness, and couldn’t say a word, for his voice would have broken, sure. It was splendid to see; and everybody said he had never come up to that speech in his life before, and never could do it again. Eloquence is a power, there is no question of that. Even old Jacques d’Arc was carried away, for once in his life, and shouted out:
“It’s all right, Joan⁠—give him the porridge!”
She was embarrassed, and did not seem to know what to say, and so didn’t say anything. It was because she had given the man the porridge long ago and he had already eaten it all up. When she was asked why she had not waited until a decision was arrived at, she said the man’s stomach was very hungry, and it would not have been wise to wait, since she could not tell what the decision would be. Now that was a good and thoughtful idea for a child.
The man was not a rascal at all. He was a very good fellow, only he was out of luck, and surely that was no crime at that time in France. Now that his stomach was proved to be innocent, it was allowed to make itself at home; and as soon as it was well filled and needed nothing more, the man unwound his tongue and turned it loose, and it was really a noble one to go. He had been in the wars for years, and the things he told and the way he told them fired everybody’s patriotism away up high, and set all hearts to thumping and all pulses to leaping; then, before anybody rightly knew how the change was made, he was leading us a sublime march through the ancient glories of France, and in fancy we saw the titanic forms of the twelve paladins rise out of the mists of the past and face their fate; we heard the tread of the innumerable hosts sweeping down to shut them in; we saw this human tide flow and ebb, ebb and flow, and waste away before that little band of heroes; we saw each detail pass before us of that most stupendous, most disastrous, yet most adored and glorious day in French legendary history; here and there and yonder, across that vast field of the dead and dying, we saw this and that and the other paladin dealing his prodigious blows with weary arm and failing strength, and one by one we saw them fall, till only one remained⁠—he that was without peer, he whose name gives name to the Song of Songs, the song which no Frenchman can hear and keep his feelings down and his pride of country cool; then, grandest and pitifulest scene of all, we saw his own pathetic death; and our stillness, as we sat with parted lips and breathless, hanging upon this man’s words, gave us a sense of the awful stillness that reigned in that field of slaughter when that last surviving soul had passed.
And now, in this solemn hush, the stranger gave Joan a pat or two on the head and said:
“Little maid⁠—whom God keep!⁠—you have brought me from death to life this night; now listen: here is your reward,” and at that supreme time for such a heart-melting, soul-rousing surprise, without another word he lifted up the most noble and pathetic voice that was ever heard, and began to pour out the great Song of Roland!
Think of that, with a French audience all stirred up and ready. Oh, where was your spoken eloquence now! what was it to this! How fine he looked, how stately, how inspired, as he stood there with that mighty chant welling from his lips and his heart, his whole body transfigured, and his rags along with it.
Everybody rose and stood while he sang, and their faces glowed and their eyes burned; and the tears came and flowed down their cheeks and their forms began to sway unconsciously to the swing of the song, and their bosoms to heave and pant; and moanings broke out, and deep ejaculations; and when the last verse was reached, and Roland lay dying, all alone, with his face to the field and to his slain, lying there in heaps and winrows, and took off and held up his gauntlet to God with his failing hand, and breathed his beautiful prayer with his paling pips, all burst out in sobs and wailings. But when the final great note died out and the song was done, they all flung themselves in a body at the singer, stark mad with love of him and love of France and pride in her great deeds and old renown, and smothered him with their embracings; but Joan was there first, hugged close to his breast, and covering his face with idolatrous kisses.
The storm raged on outside, but that was no matter; this was the stranger’s home now, for as long as he might please.


IV
Joan Tames the Mad Man

All children have nicknames, and we had ours. We got one apiece early, and they stuck to us; but Joan was richer in this matter, for, as time went on, she earned a second, and then a third, and so on, and we gave them to her. First and last she had as many as half a dozen. Several of these she never lost. Peasant-girls are bashful naturally; but she surpassed the rule so far, and colored so easily, and was so easily embarrassed in the presence of strangers, that we nicknamed her the Bashful. We were all patriots, but she was called the Patriot, because our warmest feeling for our country was cold beside hers. Also she was called the Beautiful; and this was not merely because of the extraordinary beauty of her face and form, but because