Father Goriot

answered the widow.
“There! you see how infatuated the old fellow is!” cried Vautrin. “The woman yonder can coax the soul out of him.”
The student went up to his room. Vautrin went out, and a few moments later  Mme. Couture and Victorine drove away in a cab which Sylvie had called for them. Poiret gave his arm to  Mlle. Michonneau, and they went together to spend the two sunniest hours of the day in the Jardin des Plantes.
“Well, those two are as good as married,” was the portly Sylvie’s comment. “They are going out together today for the first time. They are such a couple of dry sticks that if they happen to strike against each other they will draw sparks like flint and steel.”
“Keep clear of  Mlle. Michonneau’s shawl, then,” said  Mme. Vauquer, laughing; “it would flare up like tinder.”
At four o’clock that evening, when Goriot came in, he saw, by the light of two smoky lamps, that Victorine’s eyes were red.  Mme. Vauquer was listening to the history of the visit made that morning to  M. Taillefer; it had been made in vain. Taillefer was tired of the annual application made by his daughter and her elderly friend; he gave them a personal interview in order to arrive at an understanding with them.
“My dear lady,” said  Mme. Couture, addressing  Mme. Vauquer, “just imagine it; he did not even ask Victorine to sit down, she was standing the whole time. He said to me quite coolly, without putting himself in a passion, that we might spare ourselves the trouble of going there; that the young lady (he would not call her his daughter) was injuring her cause by importuning him (importuning! once a year, the wretch!); that as Victorine’s mother had nothing when he married her, Victorine ought not to expect anything from him; in fact, he said the most cruel things, that made the poor child burst out crying. The little thing threw herself at her father’s feet and spoke up bravely; she said that she only persevered in her visits for her mother’s sake; that she would obey him without a murmur, but that she begged him to read her poor dead mother’s farewell letter. She took it up and gave it to him, saying the most beautiful things in the world, most beautifully expressed; I do not know where she learned them; God must have put them into her head, for the poor child was inspired to speak so nicely that it made me cry like a fool to hear her talk. And what do you think the monster was doing all the time? Cutting his nails! He took the letter that poor  Mme. Taillefer had soaked with tears, and flung it on to the chimneypiece. ‘That is all right,’ he said. He held out his hands to raise his daughter, but she covered them with kisses, and he drew them away again. Scandalous, isn’t it? And his great booby of a son came in and took no notice of his sister.”
“What inhuman wretches they must be!” said Father Goriot.
“And then they both went out of the room,”  Mme. Couture went on, without heeding the worthy vermicelli maker’s exclamation; “father and son bowed to me, and asked me to excuse them on account of urgent business! That is the history of our call. Well, he has seen his daughter at any rate. How he can refuse to acknowledge her I cannot think, for they are as alike as two peas.”
The boarders dropped in one after another, interchanging greetings and empty jokes that certain classes of Parisians regard as humorous and witty. Dullness is their prevailing ingredient, and the whole point consists in mispronouncing a word or a gesture. This kind of argot is always changing. The essence of the jest consists in some catchword suggested by a political event, an incident in the police courts, a street song, or a bit of burlesque at some theatre, and forgotten in a month. Anything and everything serves to keep up a game of battledore and shuttlecock with words and ideas. The diorama, a recent invention, which carried an optical illusion a degree further than panoramas, had given rise to a mania among art students for ending every word with rama. The Maison Vauquer had caught the infection from a young artist among the boarders.
“Well, Monsieur-r-r Poiret,” said the employee from the Museum, “how is your healthorama?” Then, without waiting for an answer, he turned to  Mme. Couture and Victorine with a “Ladies, you seem melancholy.”
“Is dinner ready?” cried Horace Bianchon, a medical student, and a friend of Rastignac’s; “my stomach is sinking usque ad talones.”
“There is an uncommon frozerama outside,” said Vautrin. “Make room there, Father Goriot! Confound it, your foot covers the whole front of the stove.”
“Illustrious  M. Vautrin,” put in Bianchon, “why do you say frozerama? It is incorrect; it should be frozenrama.”
“No, it shouldn’t,” said the official from the Museum; “frozerama is right by the same rule that you say ‘My feet are froze.’ ”
“Ah! ah!”
“Here is his Excellency the Marquis de Rastignac, Doctor of the Law of Contraries,” cried Bianchon, seizing Eugène by the throat, and almost throttling him.
“Hallo there! hallo!”
 Mlle. Michonneau came noiselessly in, bowed to the rest of the party, and took her place beside the three women without saying a word.
“That old bat always makes me shudder,” said Bianchon in a low voice, indicating  Mlle. Michonneau to Vautrin. “I have studied Gall’s system, and I am sure she has the bump of Judas.”
“Then you have seen a case before?” said Vautrin.
“Who has not?” answered Bianchon. “Upon my word, that ghastly old maid looks just like one of the long worms that will gnaw a beam through, give them time enough.”
“That is the way, young man,” returned he of the forty years and the dyed whiskers:

“The rose has lived the life of a rose⁠—

A morning’s space.”

“Aha! here is a magnificent soupe-au-rama,” cried Poiret as Christophe came in bearing the soup with cautious heed.
“I beg your pardon, sir,” said  Mme. Vauquer; “it is