Father Goriot

in his brain which he had thought to find so full of wit was bolted fast; he grew positively stupid. He sent up his name to the Countess, and waited in the antechamber, standing on one foot before a window that looked out upon the court; mechanically he leaned his elbow against the sash, and stared before him. The time seemed long; he would have left the house but for the southern tenacity of purpose which works miracles when it is single-minded.
“Madame is in her boudoir, and cannot see anyone at present, sir,” said the servant. “She gave me no answer; but if you will go into the dining-room, there is someone already there.”
Rastignac was impressed with a sense of the formidable power of the lackey who can accuse or condemn his masters by a word; he coolly opened the door by which the man had just entered the antechamber, meaning, no doubt, to show these insolent flunkeys that he was familiar with the house; but he found that he had thoughtlessly precipitated himself into a small room full of dressers, where lamps were standing, and hot-water pipes, on which towels were being dried; a dark passage and a back staircase lay beyond it. Stifled laughter from the antechamber added to his confusion.
“This way to the drawing-room, sir,” said the servant, with the exaggerated respect which seemed to be one more jest at his expense.
Eugène turned so quickly that he stumbled against a bath. By good luck, he managed to keep his hat on his head, and saved it from immersion in the water; but just as he turned, a door opened at the further end of the dark passage, dimly lighted by a small lamp. Rastignac heard voices and the sound of a kiss; one of the speakers was  Mme. de Restaud, the other was Father Goriot. Eugène followed the servant through the dining-room into the drawing-room; he went to a window that looked out into the courtyard, and stood there for a while. He meant to know whether this Goriot was really the Goriot that he knew. His heart beat unwontedly fast; he remembered Vautrin’s hideous insinuations. A well-dressed young man suddenly emerged from the room almost as Eugène entered it, saying impatiently to the servant who stood at the door: “I am going, Maurice. Tell Madame la Comtesse that I waited more than half an hour for her.”
Whereupon this insolent being, who, doubtless, had a right to be insolent, sang an Italian trill, and went towards the window where Eugène was standing, moved thereto quite as much by a desire to see the student’s face as by a wish to look out into the courtyard.
“But  M. le Comte had better wait a moment longer; madame is disengaged,” said Maurice, as he returned to the antechamber.
Just at that moment Father Goriot appeared close to the gate; he had emerged from a door at the foot of the back staircase. The worthy soul was preparing to open his umbrella regardless of the fact that the great gate had opened to admit a tilbury, in which a young man with a ribbon at his buttonhole was seated. Father Goriot had scarcely time to start back and save himself. The horse took fright at the umbrella, swerved, and dashed forward towards the flight of steps. The young man looked round in annoyance, saw Father Goriot, and greeted him as he went out with constrained courtesy, such as people usually show to a moneylender so long as they require his services, or the sort of respect they feel it necessary to show for someone whose reputation has been blown upon, so that they blush to acknowledge his acquaintance. Father Goriot gave him a little friendly nod and a good-natured smile. All this happened with lightning speed. Eugène was so deeply interested that he forgot that he was not alone till he suddenly heard the Countess’ voice.
“Oh! Maxime, were you going away?” she said reproachfully, with a shade of pique in her manner. The Countess had not seen the incident nor the entrance of the tilbury. Rastignac turned abruptly and saw her standing before him, coquettishly dressed in a loose white cashmere gown with knots of rose-colored ribbon here and there; her hair was carelessly coiled about her head, as is the wont of Parisian women in the morning; there was a soft fragrance about her⁠—doubtless she was fresh from a bath;⁠—her graceful form seemed more flexible, her beauty more luxuriant. Her eyes glistened. A young man can see everything at a glance; he feels the radiant influence of woman as a plant discerns and absorbs its nutriment from the air; he did not need to touch her hands to feel their cool freshness. He saw faint rose tints through the cashmere of the dressing gown; it had fallen slightly open, giving glimpses of a bare throat, on which the student’s eyes rested. The Countess had no need of the adventitious aid of corsets; her girdle defined the outlines of her slender waist; her throat was a challenge to love; her feet, thrust into slippers, were daintily small. As Maxime took her hand and kissed it, Eugène became aware of Maxime’s existence, and the Countess saw Eugène.
“Oh! is that you  M. de Rastignac? I am very glad to see you,” she said, but there was something in her manner that a shrewd observer would have taken as a hint to depart.
Maxime, as the Countess Anastasie had called the young man with the haughty insolence of bearing, looked from Eugène to the lady, and from the lady to Eugène; it was sufficiently evident that he wished to be rid of the latter. An exact and faithful rendering of the glance might be given in the words: “Look here, my dear; I hope you intend to send this little whippersnapper about his business.”
The Countess consulted the young man’s face with an intent submissiveness that betrays all the secrets of a woman’s heart, and Rastignac all at