The Napoleon of Notting Hill

were in the fantastic garb of the burlesque cities, some in the dullest modern dress. The King stared at all of them, but none of them looked at the King. Suddenly he stepped forward.
“Barker,” he said, “what is all this?”
“Beaten,” said the politician⁠—“beaten all to hell!” And he plunged past with nostrils shaking like a horse’s, and more and more men plunged after him.
Almost as he spoke, the last standing strip of fence bowed and snapped, flinging, as from a catapult, a new figure upon the road. He wore the flaming red of the halberdiers of Notting Hill, and on his weapon there was blood, and in his face victory. In another moment masses of red glowed through the gaps of the fence, and the pursuers, with their halberds, came pouring down the lane. Pursued and pursuers alike swept by the little figure with the owlish eyes, who had not taken his hands out of his pockets.
The King had still little beyond the confused sense of a man caught in a torrent⁠—the feeling of men eddying by. Then something happened which he was never able afterwards to describe, and which we cannot describe for him. Suddenly in the dark entrance, between the broken gates of a garden, there appeared framed a flaming figure.
Adam Wayne, the conqueror, with his face flung back, and his mane like a lion’s, stood with his great sword point upwards, the red raiment of his office flapping round him like the red wings of an archangel. And the King saw, he knew not how, something new and overwhelming. The great green trees and the great red robes swung together in the wind. The sword seemed made for the sunlight. The preposterous masquerade, born of his own mockery, towered over him and embraced the world. This was the normal, this was sanity, this was nature; and he himself, with his rationality and his detachment and his black frock-coat, he was the exception and the accident⁠—a blot of black upon a world of crimson and gold.

Book IV


I
The Battle of the Lamps

 Mr. Buck, who, though retired, frequently went down to his big drapery stores in Kensington High Street, was locking up those premises, being the last to leave. It was a wonderful evening of green and gold, but that did not trouble him very much. If you had pointed it out, he would have agreed seriously, for the rich always desire to be artistic.
He stepped out into the cool air, buttoning up his light yellow coat, and blowing great clouds from his cigar, when a figure dashed up to him in another yellow overcoat, but unbuttoned and flying behind him.
“Hullo, Barker!” said the draper. “Any of our summer articles? You’re too late. Factory Acts, Barker. Humanity and progress, my boy.”
“Oh, don’t chatter,” cried Barker, stamping. “We’ve been beaten.”
“Beaten⁠—by what?” asked Buck, mystified.
“By Wayne.”
Buck looked at Barker’s fierce white face for the first time, as it gleamed in the lamplight.
“Come and have a drink,” he said.
They adjourned to a cushioned and glaring buffet, and Buck established himself slowly and lazily in a seat, and pulled out his cigar-case.
“Have a smoke,” he said.
Barker was still standing, and on the fret, but after a moment’s hesitation, he sat down as if he might spring up again the next minute. They ordered drinks in silence.
“How did it happen?” asked Buck, turning his big bold eyes on him.
“How the devil do I know?” cried Barker. “It happened like⁠—like a dream. How can two hundred men beat six hundred? How can they?”
“Well,” said Buck, coolly, “how did they? You ought to know.”
“I don’t know; I can’t describe,” said the other, drumming on the table. “It seemed like this. We were six hundred, and marched with those damned poleaxes of Auberon’s⁠—the only weapons we’ve got. We marched two abreast. We went up Holland Walk, between the high palings which seemed to me to go straight as an arrow for Pump Street. I was near the tail of the line, and it was a long one. When the end of it was still between the high palings, the head of the line was already crossing Holland Park Avenue. Then the head plunged into the network of narrow streets on the other side, and the tail and myself came out on the great crossing. When we also had reached the northern side and turned up a small street that points, crookedly as it were, towards Pump Street, the whole thing felt different. The streets dodged and bent so much that the head of our line seemed lost altogether: it might as well have been in North America. And all this time we hadn’t seen a soul.”
Buck, who was idly dabbing the ash of his cigar on the ashtray, began to move it deliberately over the table, making feathery grey lines, a kind of map.
“But though the little streets were all deserted (which got a trifle on my nerves), as we got deeper and deeper into them, a thing began to happen that I couldn’t understand. Sometimes a long way ahead⁠—three turns or corners ahead, as it were⁠—there broke suddenly a sort of noise, clattering, and confused cries, and then stopped. Then, when it happened, something, I can’t describe it⁠—a kind of shake or stagger went down the line, as if the line were a live thing, whose head had been struck, or had been an electric cord. None of us knew why we were moving, but we moved and jostled. Then we recovered, and went on through the little dirty streets, round corners, and up twisted ways. The little crooked streets began to give me a feeling I can’t explain⁠—as if it were a dream. I felt as if things had lost their reason, and we should never get out of the maze. Odd to hear me talk like that, isn’t it? The streets were quite well-known streets, all down on the map. But the fact remains. I