Tono-Bungay

the sounds and then the scene return, these obscure, undignified people, a fat woman with asthma, an old Welsh milk-seller with a tumour on his bald head, who was the intellectual leader of the sect, a huge-voiced haberdasher with a big black beard, a white-faced, extraordinarily pregnant woman, his wife, a spectacled rate collector with a bent back.⁠ ⁠… I hear the talk about souls, the strange battered old phrases that were coined ages ago in the seaports of the sundry Levant, of balm of Gilead and manna in the desert, of gourds that give shade and water in a thirsty land; I recall again the way in which at the conclusion of the service the talk remained pious in form but became medical in substance, and how the women got together for obstetric whisperings. I, as a boy, did not matter, and might overhear.
If Bladesover is my key for the explanation of England, I think my invincible persuasion that I understand Russia was engendered by the circle of Uncle Frapp.
I slept in a dingy sheeted bed with the two elder survivors of Frapp fecundity, and spent my week days in helping in the laborious disorder of the shop and bakehouse, in incidental deliveries of bread and so forth, and in parrying the probings of my uncle into my relations with the Blood, and his confidential explanations that ten shillings a week⁠—which was what my mother paid him⁠—was not enough to cover my accommodation. He was very anxious to keep that, but also he wanted more. There were neither books nor any seat nor corner in that house where reading was possible, no newspaper ever brought the clash of worldly things into its heavenward seclusion; horror of it all grew in me daily, and whenever I could I escaped into the streets and tramped about Chatham. The news shops appealed to me particularly. One saw there smudgy illustrated sheets, the Police News in particular, in which vilely drawn pictures brought home to the dullest intelligence an interminable succession of squalid crimes, women murdered and put into boxes, buried under floors, old men bludgeoned at midnight by robbers, people thrust suddenly out of trains, happy lovers shot, vitrioled and so forth by rivals. I got my first glimpse of the life of pleasure in foully drawn pictures of “police raids” on this and that. Interspersed with these sheets were others in which Sloper, the urban John Bull, had his fling with gin bottle and obese umbrella, or the kindly empty faces of the Royal Family appeared and reappeared, visiting this, opening that, getting married, getting offspring, lying in state, doing everything but anything, a wonderful, good-meaning, impenetrable race apart.
I have never revisited Chatham; the impression it has left on my mind is one of squalid compression, unlit by any gleam of a maturer charity. All its effects arranged themselves as antithetical to the Bladesover effects. They confirmed and intensified all that Bladesover suggested. Bladesover declared itself to be the land, to be essentially England; I have already told how its airy spaciousness, its wide dignity, seemed to thrust village, church, and vicarage into corners, into a secondary and conditional significance. Here one gathered the corollary of that. Since the whole wide country of Kent was made up of contiguous Bladesovers and for the gentlefolk, the surplus of population, all who were not good tenants nor good labourers, Church of England, submissive and respectful, were necessarily thrust together, jostled out of sight, to fester as they might in this place that had the colours and even the smells of a well-packed dustbin. They should be grateful even for that; that, one felt, was the theory of it all.
And I loafed about this wilderness of crowded dinginess, with young, receptive, wide-open eyes, and through the blessing (or curse) of some fairy godmother of mine, asking and asking again: “But after all, why⁠—”
I wandered up through Rochester once, and had a glimpse of the Stour valley above the town, all horrible with cement works and foully smoking chimneys and rows of workmen’s cottages, minute, ugly, uncomfortable, and grimy. So I had my first intimation of how industrialism must live in a landlord’s land. I spent some hours, too, in the streets that give upon the river, drawn by the spell of the sea. But I saw barges and ships stripped of magic and mostly devoted to cement, ice, timber, and coal. The sailors looked to me gross and slovenly men, and the shipping struck me as clumsy, ugly, old, and dirty. I discovered that most sails don’t fit the ships that hoist them, and that there may be as pitiful and squalid a display of poverty with a vessel as with a man. When I saw colliers unloading, watched the workers in the hold filling up silly little sacks and the succession of blackened, half-naked men that ran to and fro with these along a plank over a thirty-foot drop into filth and mud, I was first seized with admiration of their courage and toughness and then, “But after all, why⁠—?” and the stupid ugliness of all this waste of muscle and endurance came home to me. Among other things it obviously wasted and deteriorated the coal.⁠ ⁠… And I had imagined great things of the sea!
Well, anyhow, for a time that vocation was stilled.
But such impressions came into my leisure, and of that I had no excess. Most of my time was spent doing things for Uncle Frapp, and my evenings and nights perforce in the company of the two eldest of my cousins. He was errand boy at an oil shop and fervently pious, and of him I saw nothing until the evening except at meals; the other was enjoying the midsummer holidays without any great elation; a singularly thin and abject, stunted creature he was, whose chief liveliness was to pretend to be a monkey, and who I am now convinced had some secret disease that drained his vitality away. If I