Arrowsmith

medic and doctor pick me up, will you?”
“Leora! And you don’t think I try and pick up every pretty girl I meet? I liked⁠—I felt somehow we two could be chums. Can’t we? Can’t we?”
“I don’t know. We’ll see. Where are we going for dinner?”
“The Grand Hotel.”
“We are not! It’s terribly expensive. Unless you’re awfully rich. You aren’t, are you?”
“No, I’m not. Just enough money to get through medic school. But I want⁠—”
“Let’s go to the Bijou. It’s a nice place, and it isn’t expensive.”
He remembered how often Madeline Fox had hinted that it would be a tasty thing to go to the Grand, Zenith’s most resplendent hotel, but that was the last time he thought of Madeline that evening. He was absorbed in Leora. He found in her a casualness, a lack of prejudice, a directness, surprising in the daughter of Andrew Jackson Tozer. She was feminine but undemanding; she was never Improving and rarely shocked; she was neither flirtatious nor cold. She was indeed the first girl to whom he had ever talked without self-consciousness. It is doubtful if Leora herself had a chance to say anything, for he poured out his every confidence as a disciple of Gottlieb. To Madeline, Gottlieb was a wicked old man who made fun of the sanctities of Marriage and Easter lilies, to Clif, he was a bore, but Leora glowed as Martin banged the table and quoted his idol: “Up to the present, even in the work of Ehrlich, most research has been largely a matter of trial and error, the empirical method, which is the opposite of the scientific method, by which one seeks to establish a general law governing a group of phenomena so that he may predict what will happen.”
He intoned it reverently, staring across the table at her, almost glaring at her. He insisted, “Do you see where he leaves all these detail-grubbing, machine-made researchers buzzing in the manure heap just as much as he does the commercial docs? Do you get him? Do you?”
“Yes, I think I do. Anyway, I get your enthusiasm for him. But please don’t bully me so!”
“Was I bullying? I didn’t mean to. Only, when I get to thinking about the way most of these damned profs don’t even know what he’s up to⁠—”
Martin was off again, and if Leora did not altogether understand the relation of the synthesis of antibodies to the work of Arrhenius, yet she listened with comfortable pleasure in his zeal, with none of Madeline Fox’s gently corrective admonitions.
She had to warn him that she must be at the hospital by ten.
“I’ve talked too much! Lord, I hope I haven’t bored you,” he blurted.
“I loved it.”
“And I was so technical, and so noisy⁠—Oh, I am a chump!”
“I like having you trust me. I’m not ‘earnest,’ and I haven’t any brains whatever, but I do love it when my menfolks think I’m intelligent enough to hear what they really think and⁠—Good night!”
They dined together twice in two weeks, and only twice in that time, though she telephoned to him, did Martin see his honest affianced, Madeline.
He came to know all of Leora’s background. Her bedridden grandaunt in Zenith, who was her excuse for coming so far to take hospital training. The hamlet of Wheatsylvania, North Dakota; one street of shanties with the red grain-elevators at the end. Her father, Andrew Jackson Tozer, sometimes known as Jackass Tozer; owner of the bank, of the creamery, and an elevator, therefore the chief person in town; pious at Wednesday evening prayer-meeting, fussing over every penny he gave to Leora or her mother. Bert Tozer, her brother; squirrel teeth, a gold eyeglass chain over his ear, cashier and all the rest of the staff in the one-room bank owned by his father. The chicken salad and coffee suppers at the United Brethren Church; German Lutheran farmers singing ancient Teutonic hymns; the Hollanders, the Bohemians and Poles. And round about the village, the living wheat, arched above by tremendous clouds. He saw Leora, always an “odd child,” doing obediently enough the flat household tasks but keeping snug the belief that some day she would find a youngster with whom, in whatever danger or poverty, she would behold all the colored world.
It was at the end of her hesitating effort to make him see her childhood that he cried, “Darling, you don’t have to tell me about you. I’ve always known you. I’m not going to let you go, no matter what. You’re going to marry me⁠—”
They said it with clasping hands, confessing eyes, in that blatant restaurant. Her first words were:
“I want to call you ‘Sandy.’ Why do I? I don’t know why. You’re as unsandy as can be, but somehow ‘Sandy’ means you to me and⁠—Oh, my dear, I do like you!”
Martin went home engaged to two girls at once.

IV
He had promised to see Madeline the next morning.
By any canon of respectable behavior he should have felt like a low dog; he assured himself that he must feel like a low dog; but he could not bring it off. He thought of Madeline’s pathetic enthusiasms: her “Provençal pleasaunce” and the limp-leather volumes of poetry which she patted with fond fingertips; of the tie she had bought for him, and her pride in his hair when he brushed it like the patent-leather heroes in magazine illustrations. He mourned that he had sinned against loyalty. But his agitation broke against the solidity of his union with Leora. Her companionship released his soul. Even when, as advocate for Madeline, he pleaded that Leora was a trivial young woman who probably chewed gum in private and certainly was careless about her nails in public, her commonness was dear to the commonness that was in himself, valid as ambition or reverence, an earthy base to her gaiety as it was to his nervous scientific curiosity.
He was absentminded in the laboratory, that fatal next day. Gottlieb had twice to ask him whether he had prepared