Октябрьская страна (The October Country), 1955

"Chopin, here," said Joseph. "How strange and swell." He looked up. "I like that bridge. Hold this." He handed her the candy bag while he clicked a picture of a red bridge spanning two white buildings with a man walking on it, a red serape on his shoulder. "Fine," said Joseph.
Marie walked looking at Joseph, looking away from him and then back at him, her lips moving but not speaking, her eyes fluttering, a little neck muscle under her chin like a wire, a little nerve in her brow ticking. She passed the candy bag from one hand to the other. She stepped up a curb, leaned back somehow, gestured, said something to restore balance, and dropped the bag.
"For Christ's sake." Joseph snatched up the bag. "Look what you've done! Clumsy!"
"I should have broken my ankle," she said, "I sup-pose."
"These were the best skulls; both of them smashed; I wanted to save them for friends up home."
"I'm sorry," she said, vaguely.
"For God's sake, oh, damn it to hell." He scowled into the bag. "I might not find any more good as these. Oh, I don't know, I give up!"
The wind blew and they were alone in the street, he staring down into the shattered debris in the bag, she with the street shadows all around her, sun on the other side of the street, nobody about, and the world far away, the two of them alone, two thousand miles from anywhere, on a street in a false town behind which was nothing and around which was nothing but blank desert and circled hawks. On top the State Opera House, a block down, the golden Greek statues stood sun-bright and high, and in a beer place a shouting phonograph cried AY, MARIMBA … corazon … and all kinds of alien words which the wind stirred away.
Joseph twisted the bag shut, stuck it furiously in his pocket.
They walked back to the two-thirty lunch at the hotel.
He sat at the table with Marie, sipping Albondigas soup from his moving spoon, silently. Twice she commented cheerfully upon the wall murals and he looked at her steadily and sipped. The bag of cracked skulls lay on the table….
"Senora …"
The soup plates were cleared by a brown hand. A large plate of enchiladas was set down.
Marie looked at the plate.
There were sixteen enchiladas.
She put her fork and knife out to take one and stopped. She put her fork and knife down at each side of her plate. She glanced at the walls and then at her husband and then at the sixteen enchiladas.
Sixteen. One by one. A long row of them, crowded together.
She counted them.
One, two, three, four, five, six.
Joseph took one on his plate and ate it.
Six, seven, eight, nine, ten, eleven.
She put her hands on her lap.
Twelve, thirteen, fourteen, fifteen, sixteen. She finished counting.
"I'm not hungry," she said.
He placed another enchilada before himself. It had an interior clothed in a papyrus of corn tortilla. It was slender and it was one of many he cut and placed in his mouth and she chewed it for him in her mind's mouth, and squeezed her eyes tight.
"Eh?" he asked.
"Nothing," she said.
Thirteen enchiladas remained, like tiny bundles, like scrolls.
He ate five more.
"I don't feel well," she said.
"Feel better if you ate," he said.
"No."
He finished, then opened the sack and took out one of the half-demolished skulls.
"Not here?" she said.
"Why not?" And he put one sugar socket to his lips, chewing. "Not bad," he said, thinking the taste. He popped in another section of skull. "Not bad at all."
She looked at the name on the skull he was eating.
Marie, it said.
It was tremendous, the way she helped him pack. In those newsreels you see men leap off diving-boards into pools, only, a moment later when the reel is reversed, to jump back up in airy fantasy to alight once more safe on the diving-board. Now, as Joseph watched, the suits and dresses flew into their boxes and cases, the hats were like birds darting, clapped into round, bright hatboxes, the shoes seemed to run across the floor like mice to leap into valises. The suitcases banged shut, the hasps clicked, the keys turned.
"There!" she cried. "All packed! Oh, Joe, I'm so glad you let me change your mind."
She started for the door.
"Here, let me help," he said.
"They're not heavy," she said.
"But you never carry suitcases. You never have. I'll call a boy."
"Nonsense," she said, breathless with the weight of the valises.
A boy seized the cases outside the door. "Senora, par favor!"
"Have we forgotten anything?" He looked under the two beds, he went out on the balcony and gazed at the plaza, came in, went to the bathroom, looked in the cabinet and on the washbowl. "Here," he said, coming out and handing her something. "You forgot your wrist watch."
"Did I?" She put it on and went out the door.
"I don't know," he said. "It's damn late in the day to be moving out."
"It's only three-thirty," she said. "Only three-thirty."
"I don't know," he said, doubtfully.
He looked around the room, stepped out, closed the door, locked it, went downstairs, jingling the keys.
She was outside in the car already, settled in, her coat folded on her lap, her gloved hands folded on the coat. He came out, supervised the loading of what luggage remained into the trunk receptacle, came to the front door and tapped on the window. She unlocked it and let him in.
"Well, here we go!" She cried with a laugh, her face rosy, her eyes frantically bright. She was leaning forward as if by this movement she might set the car rolling merrily down the hill. "Thank you, darling, for letting me get the refund on the money you paid for our room tonight. I'm sure we'll like it much better in Guadalajara tonight. Thank you!"
"Yeah," he said.
Inserting the ignition keys he stepped on the starter.
Nothing happened.
He stepped on the starter again. Her mouth twitched.
"It needs warming," she said. "It was a cold night last night."
He tried it again. Nothing.
Marie's hands tumbled on her lap.
He tried it six more times. "Well," he said, lying back, ceasing.
"Try it again, next tune it'll work," she said.
"It's no use," he said. "Something's wrong."
"Well, you've got to try it once more."
He tried it once more.
"It'll work, I'm sure," she said. "Is the ignition on?"
"Is the ignition on," he said. "Yes, it's on."
"It doesn't look like it's on," she said.
"It's on." He showed her by twisting the key.
"Now, try it," she said.
"There," he said, when nothing happened. "I told you."
"You're not doing it right; it almost caught that time," she cried.
"I'll wear out the battery, and God knows where you can buy a battery here."
"Wear it out, then. I'm sure it'll start next time!"
"Well, if you're so good, you try it." He slipped from the car and beckoned her over behind the wheel. "Go ahead!"
She bit her lips and settled behind the wheel. She did things with her hands that were like a little mystic ceremony; with moves of hands and body she was trying to overcome gravity, friction and every other natural law. She patted the starter with her toeless shoe. The car remained solemnly quiet. A little squeak came out of Marie's tightened lips. She rammed the starter home and there was a clear smell in the air as she fluttered the choke.
"You've flooded it," he said. "Fine! Get back over on your side, will you?"
He got three boys to push and they started the car downhill. He jumped in to steer. The car rolled swiftly, bumping and rattling. Marie's face glowed expectantly. "This'll start it!" she said.
Nothing started. They rolled quietly into the filling station at the bottom of the hill, bumping softly on the cobbles, and stopped by the tanks.