Rita Hayworth and Shawshank Redemption

The sisters was something he adjusted himself to — and then, in 1950, it stopped almost completely. That is a part of my story that I’ll get to in due time.
In the fall of 1948, Andy met me one morning in the exercise yard and asked me if I could get him half a dozen rock-blankets.
‘What the hell are those?’ I asked.
He told me that was just what rockhounds called them; they were polishing cloths about the size of dishtowels. They were heavily padded, with a smooth side and a rough side — the smooth side like fine-grained sandpaper, the rough side almost as abrasive as industrial steel wool (Andy also kept a box of that in his cell, although he didn’t get it from me — I imagine he kited it from the prison laundry).
I told him I thought we could do business on those, and I ended up getting them from the very same rock-and-gem shop where I’d arranged to get the rock-hammer. This time I charged Andy my usual ten per cent and not a penny more. I didn’t see anything lethal or even dangerous in a dozen 7" ? 7" squares of padded cloth. Rock-blankets, indeed.
It was about five months later that Andy asked if I could get him Rita Hayworth. That conversation took place in the auditorium, during a movie-show. Nowadays we get the movie-shows once or twice a week, but back then the shows were a monthly event. Usually the movies we got had a morally uplifting message to them, and this one, The Lost Weekend, was no different. The moral was that it’s dangerous to drink. It was a moral we could take some comfort in.
Andy manoeuvred to get next to me, and about halfway through the show he leaned a little closer and asked if I could get him Rita Hayworth. I’ll tell you the truth, it kind of tickled me. He was usually cool, calm, and collected, but that night he was jumpy as hell, almost embarrassed, as if he was asking me to get him a load of Trojans or one of those sheepskin-lined gadgets that are supposed to ‘enhance your solitary pleasure,’ as the magazines put it. He seemed overcharged, a man on the verge of blowing his radiator.
‘I can get her,’ I said. ‘No sweat, calm down. You want the big one or the little one?’ At that time Rita was my best girl (a few years before it had been Betty Grable) and she came in two sizes. For a buck you could get the little Rita. For two-fifty you could have the big Rita, four feet high and all woman.
‘The big one,’ he said, not looking at me. I tell you, he was a hot sketch that night. He was blushing just like a kid trying to get into a kootch show with his big brother’s draft-card. ‘Can you do it?’
‘Take it easy, sure I can. Does a bear shit in the woods?’ The audience was applauding and catcalling as the bugs came out of the walls to get Ray Milland, who was having a bad case of the DT’s.
‘How soon?’
‘A week. Maybe less.’
‘Okay.’ But he sounded disappointed, as if he had been hoping I had one stuffed down my pants right then. ‘How much?”
I quoted him the wholesale price. I could afford to give him this one at cost; he’d been a good customer, what with his rock-hammer and his rock-blankets. Furthermore, he’d been a good boy — on more than one night when he was having his problems with Bogs, Rooster, and the rest, I wondered how long it would be before he used the rock-hammer to crack someone’s head open.
Posters are a big part of my business, just behind the booze and cigarettes, usually half a step ahead of the reefer. In the 60s the business exploded in every direction, with a lot of people wanting funky hang-ups like Jimi Hendrix, Bob Dylan, that Easy Rider poster. But mostly it’s girls; one pinup queen after another.
A few days after I spoke to Ernie, a laundry driver I did business with back then brought in better than sixty posters, most of them Rita Hayworths. You may even remember the picture; I sure do. Rita is dressed — sort of — in a bathing suit, one hand behind her head, her eyes half closed, those full, sulky red lips parted. They called it Rita Hayworth, but they might as well have called it Woman in Heat.
The prison administration knows about the black market, in case you were wondering. Sure they do. They probably know as much about my business as I do myself. They live with it because they know that a prison is like a big pressure cooker, and there have to be vents somewhere to let off steam. They make the occasional bust, and I’ve done time in solitary a time or three over the years, but when it’s something like posters, they wink. Live and let live. And when a big Rita Hayworth went up in some fishie’s cell, the assumption was that it came in the mail from a friend or a relative. Of course all the care-packages from friends and relatives are opened and the contents inventoried, but who goes back and re-checks the inventory sheets for something as harmless as a Rita Hayworth or an Ava Gardner pin-up? When you’re in a pressure-cooker you learn to live and let live or somebody will carve you a brand-new mouth just above the Adam’s apple. You learn to make allowances.
It was Ernie again who took the poster up to Andy’s cell, 14, my own, 6. And it was Ernie who brought back the written in Andy’s careful hand, just one word: Thanks.’
A little while later, as they filed us out for morning chow, I glanced into his cell and saw Rita over his bunk in all her swimsuited glory, one hand behind her head, her eyes half-closed, those soft, satiny lips parted. It was over his bunk when he could look at her nights, after lights out, in the glow of the arc sodiums in the exercise yard.
But in the bright morning sunlight, there were dark slashes across her face — the shadow of the bars on his single slit-window.
Now I’m going to tell you what happened in mid-May of 1950 that finally ended Andy’s three-year series of skirmishes with the sisters. It was also the incident which eventually got him out of the laundry and into the library, where he filled out his work-time until he left our happy little family earlier this year.
You may have noticed how much of what I’ve told you already is hearsay — someone saw something and told me and I told you. Well, in some cases I’ve simplified it even more than it really was, and have actually repeated (or will repeat) fourth- or fifth-hand information. That’s the way it’s here. The grapevine is very real, and you have to use it if you’re going to stay ahead. Also, of course, you have to know how to pick out the grains of truth from the chaff of lies, rumours, and wish-it-had-beens.
You may also have gotten the idea that I’m describing someone who’s more legend than man, and I would have to agree that there’s some truth to that. To us long-timers who knew Andy over a space of years, there was an element of fantasy to him, a sense, almost, of myth-magic, if you get what I mean. That story I passed on about Andy refusing to give Bogs Diamond a head-job is part of that myth, and how he kept on fighting the sisters is part of it, and how he got the library job is part of it, too … but with one important difference: I was there and I saw what happened, and I swear on my mother’s name that it’s all true. The oath of a convicted murderer may not be worth much, but believe this: I don’t lie.
Andy and I were on fair speaking terms by then. The guy fascinated me. Looking back to the poster episode, I see there’s one thing I neglected to tell you, and maybe I should. Five weeks after he hung Rita up (I’d forgotten all about it by then, and had gone on to other deals), Ernie passed a small white box through the bars of my cell.
‘From Dufresne,’ he said, low, and never missed a stroke with his push-broom.
‘Thanks, Ernie,’ I said, and slipped him half a pack of Camels.
Now what the hell was this, I was wondering as I slipped the cover from the box. There was a lot of white cotton inside, and below that…