The Journeyer

If all my days stolen from school had been passed in such improving conversations, no one could have complained. I probably would have had a better education than I could ever have got from Fra Varisto. But inevitably my loitering about the waterfront brought me into contact with persons less admirable than the clerk Isidoro.
I do not mean to say that the Riva is in any sense a low-class street. While it teems with workmen, seamen and fishermen at all hours of the day, there are just as many well-dressed merchants and brokers and other businessmen, often accompanied by their genteel wives. The Riva is also the promenade, even after dark on fine nights, of fashionable men and women come merely to stroll and enjoy the lagoon breeze. Nevertheless, among those people, day or night, there lurk the louts and cutpurses and prostitutes and other specimens of the rabble we call the popolazo. There were, for example, the urchins I met one afternoon on that Riva dockside, when one of them introduced himself by throwing a fish at me.
2
IT was not a very large fish, and he was not a very large boy. He was of about my own size and age, and I was not hurt when the fish hit me between my shoulder blades. But it left a smelly slime on my Lucca silk tunic, which was clearly what the boy had intended, for he was clad in rags already redolent of fish. He danced about, gleefully pointing at me and singing a taunt:
Un ducato, un ducaton!
Butelo … butelo … zo per el cavron!
That is merely a fragment of a children’s chant, meant to be sung during a throwing game, but he had changed the last word of it into a word which, though I could not then have told you its meaning, I knew to be the worst insult one man can fling at another. I was not a man and neither was he, but my honor was obviously in dispute. I interrupted his dance of mockery by stepping up to him and striking him in the face with my fist. His nose gushed bright red blood.
In the next moment, I was flattened under the weight of four other rascals. My assailant had not been alone on that dockside, and he was not alone in resenting the fine clothes Zia Zulia made me don on school-days. For a while, our struggles made the dock planks rattle. Numerous of the passersby stopped to watch us, and some of the rougher sorts shouted things like “Gouge him!” and “Kick the beggar in his baggage!” I fought valiantly, but I could strike back at only one boy at a time, while they all five were pummeling me. Before long, I had the wind knocked out of me and my arms pinned down. I simply lay there being beaten and kneaded like pasta dough.
“Let him up!” said a voice from outside our entangled heap.
It was only a piping falsetto of a voice, but it was loud and commanding. The five boys stopped pounding on me, and one after another, although reluctantly, peeled off me. Even when I was unencumbered, I still had to lie there for a bit and get my breath back before I could stand.
The other boys were shuffling their bare feet and sullenly regarding the owner of the voice. I was surprised to see that they had obeyed a mere girl. She was as ragged and aromatic as they were, but smaller and younger than any of them. She wore the short, tight, tubelike dress worn by all Venetian girl children until about the age of twelve—or I should say she wore the remains of one. Hers was so tattered that she would have been quite indecently exposed, except that what showed of her body was the same dingy gray color as her frock. Perhaps she derived some authority from the fact that she, alone of the urchins, wore shoes—the cloglike wooden tofi of the poor.
The girl came close to me and maternally brushed at my clothes, which were now not very disparate from her own. She also informed me that she was the sister of the boy whose nose I had bloodied.
“Mama told Boldo never to fight,” she said, and added, “Papa told him always to fight his own fights without help.”
I said, panting, “I wish he had listened to one of them.”
“My sister is a liar! We do not have a mama or a papa!”
“Well, if we did, that is what they would tell you. Now pick up that fish, Boldo. It was hard enough to steal.” To me she said, “What is your name? He is Ubaldo Tagiabue and I am Doris.”
Tagiabue means “built like an ox,” and I had learned in school that Doris was the daughter of the pagan god Oceanus. This Doris was too pitifully skinny to merit the surname, and far too dirty to resemble any water goddess. But she stood staunch as the ox, imperious as the goddess, as we watched her brother obediently go to pick up the discarded fish. He could not exactly pick it up; it had several times been stepped on during the brawl; he had more or less to gather it up.
“You must have done something terrible,” Doris said to me, “to have made him throw our supper at you.”
“I did nothing at all,” I said truthfully. “Until I hit him. And that was because he called me a cavron.”
She looked amused and asked, “Do you know what that means?”
“Yes, it means one must fight.”
She looked even more amused and said, “A cavron is a man who lets his wife be used by other men.”
I wondered why, if that was all it meant, the word should be such a deadly insult. I knew of several men whose wives were washerwomen or seamstresses, and those women’s services were used by many other men, and that excited no public commotion or private vendeta. I made some remark to that effect, and Doris burst out laughing.
“Marcolfo!” she jeered at me. “It means the men put their candles into the woman’s scabbard and together they do the dance of San Vito!”
No doubt you can divine the street meaning of her words, so I will not tell you the bizarre picture they brought to my ignorant mind. But some respectably merchant-looking gentlemen were strolling nearby at that moment, and they recoiled from Doris, their various mustaches and beards bristling like quills, when they heard those obscenities shouted by so small a female child.
Bringing the mangled corpse of his fish cradled in his grimy hands, Ubaldo said to me, “Will you share our supper?” I did not, but in the course of that afternoon he and I forgot our quarrel and became friends.
He and I were perhaps eleven or twelve years old then, and Doris about two years younger, and during the next few years I spent most of my days with them and their somewhat fluid following of other dockside brats. I could easily have been consorting in those years with the well-fed and well-dressed, prim and priggish offspring of the lustrisimi families, such as the Balbi and the Cornari—and Zia Zulia used every effort and persuasion to make me do so—but I preferred my vile and more vivacious friends. I admired their pungent language, and I adopted it. I admired their independence and their fichevelo attitude to life, and I did my best to imitate it. As could be expected, since I did not slough off those attitudes when I went home or elsewhere, they did not make me any better beloved by the other people in my life.
During my infrequent attendances at school, I began calling Fra Varisto by a couple of nicknames I had learned from Boldo—“il bel de Roma” and “il Culiseo”—and soon had all the other schoolboys doing the same. The friar-maistro put up with that informality, even seemed flattered by it, until gradually it dawned on him that we were not likening him to the grand old Beauty of Rome, the Colosseum, but were making a play on the word culo, and in effect were calling him the “landmark of buttocks.” At home, I scandalized the servants almost daily. On one occasion, after I had done a thing reprehensible, I overheard a conversation between Zia Zulia and Maistro Attilio, the maggiordomo of the household.